{"id":25384,"date":"2026-04-01T16:58:16","date_gmt":"2026-04-01T13:58:16","guid":{"rendered":"https:\/\/skaitytaknyga.lt\/?post_type=product&p=25384"},"modified":"2026-04-02T12:09:47","modified_gmt":"2026-04-02T09:09:47","slug":"setoniskas-tango","status":"publish","type":"product","link":"https:\/\/skaitytaknyga.lt\/en\/produktas\/setoniskas-tango\/","title":{"rendered":"\u0160\u0117toni\u0161kas tango"},"content":{"rendered":"

Bekompromisis stilius, paprasti gyvenimai, i\u0161kylantys iki archetip\u0173 lygmens, pasaulio literat\u016bros kontekstas, iracionalumo protr\u016bkiai. Vengr\u0173 ra\u0161ytojas L\u00e1szl\u00f3 Krasznahorkai \u2013 vienas garsiausi\u0173 Vidurio Europos ra\u0161ytoj\u0173, vadinamas \u201egyvuoju klasiku\u201c. D\u0117l savo bekompromisio stiliaus \u017einomas autorius yra peln\u0119s daugyb\u0119 \u012fvairi\u0173 \u0161ali\u0173 literat\u016brini\u0173 apdovanojim\u0173, svarbiausi: Kossutho (Vengrijos nacionalin\u0117, 2004), tarptautin\u0117 Bukerio (Man Booker International Prize, 2015) premija.<\/p>\n

Pirmasis ir vienas \u017eymiausi\u0173 autoriaus roman\u0173 \u201e\u0160\u0117toni\u0161kas tango\u201c \u2013 tai \u012f devynias kalbas i\u0161verstas \u017emogaus vizij\u0173, svajoni\u0173 sudu\u017eimo romanas: dabartis nepalieka n\u0117 menkiausi\u0173 vil\u010di\u0173, o ateitis daugiau negu miglota. Vis\u0105 roman\u0105 persmelk\u0119s laukimas: \u017emon\u0117s ko nors laukia, bet nuolatos nesulaukia to, ko tik\u0117josi. Jame yra ir nenusakomo paslaptingumo, ir \u017emogaus, palikto vieno su nuo\u017emiu pasauliu.<\/p>\n

Nuo\u0161alioje gyvenviet\u0117je lieka trys \u0161eimos, trys senberniai, netolimame vienkiemyje liko na\u0161l\u0117 su keturiais vaikais (\u017emon\u0117s, taip ir nerad\u0119 gyvenime vietos \u2013 visi kiti jau i\u0161silakst\u0119) ir smuklininkas. Ruden\u012f \u017emon\u0117s tikisi atgauti u\u017edarb\u012f, randasi norin\u010di\u0173 tuos pinigus nusiglem\u017eti, ir tuomet pasklinda gandas: atkanka du gelb\u0117tojai. Smukl\u0117je, kur j\u0173 laukiama, makabri\u0161kas \u016b\u017eavimas. Tuo metu d\u0117l brolio psichologinio smurto nusinuodija psichikos negali\u0105 turinti na\u0161l\u0117s mergait\u0117. Gelb\u0117tojai (kovos su velt\u0117d\u017eiavimu spec. tarnybos darbuotojai, patys prigriebti u\u017e nieko neveikim\u0105) teigia, kad d\u0117l mergait\u0117s mirties kalti \u016b\u017eautojai, \u012ftikin\u0117ja tuos \u017emones palikti neperspektyvi\u0105 gyvenviet\u0119 ir prad\u0117ti visk\u0105 i\u0161 naujo. I\u0161vilioja i\u0161 j\u0173 pinigus, i\u0161veda i\u0161 nam\u0173, bet neturi kur nuvesti, ir \u017emon\u0117s pamato, kokia bevilti\u0161ka j\u0173 pad\u0117tis.<\/p>\n

Romane netr\u016bksta aliuzij\u0173 \u012f Biblij\u0105 ir pasaulio literat\u016br\u0105, tik \u010dia viskas apversta auk\u0161tyn kojomis: persona\u017eai Irimijas \u2013 prana\u0161o Eremijo parodija, o \u0160mitn\u0117 \u2013 pasi\u0161aipymas i\u0161 am\u017einojo moteri\u0161kumo ir t. t. Autoriaus sakiniai ilgi, keistai komplikuoti, su iracionalumo protr\u016bkiais, primena s\u0105mon\u0117s sraut\u0105. K\u016brinys susideda i\u0161 2 dali\u0173 po 6 skyrius \u2013 tai aliuzija \u012f tango \u0161okio \u017eingsnius. 1994 metais romano pagrindu sukurtas to paties pavadinimo kino filmas (re\u017esierius B\u00e9la Tarr).<\/p>\n

\u0160iame romane autorius, anot vengr\u0173 literat\u016bros kritikos, atskleid\u0117 visuotinio \u017elugimo vizij\u0105 pasitelk\u0119s tiksli\u0105 socialin\u0119 realyb\u0119 (smulkiausios itin ry\u0161kios detal\u0117s dera su Apokalipsei b\u016bdingomis vizijomis), suk\u016br\u0117 nauj\u0105 epikos form\u0105.<\/p>\n

Kritika \u012fvardijo roman\u0105 kaip epochos svarbos rei\u0161kin\u012f. Knyga prapl\u0117s kult\u016brinius pasaulio pa\u017einimo horizontus, supa\u017eindins skaitytojus su reik\u0161mingiausia Vengrijos gro\u017eine literat\u016bra bei t\u0119s pa\u017eint\u012f su autoriumi L\u00e1szl\u00f3 Krasznahorkai k\u016bryba, kurio romanas \u201ePrie\u0161inimosi melancholija\u201c \u012f lietuvi\u0173 kalb\u0105 buvo i\u0161verstas 2016 m. ir pateko \u012f vertingiausi\u0173 verstini\u0173 knyg\u0173 penketuk\u0105.<\/p>\n","protected":false},"excerpt":{"rendered":"

Bekompromisis stilius, paprasti gyvenimai, i\u0161kylantys iki archetip\u0173 lygmens, pasaulio literat\u016bros kontekstas, iracionalumo protr\u016bkiai. Vengr\u0173 ra\u0161ytojas L\u00e1szl\u00f3 Krasznahorkai \u2013 vienas garsiausi\u0173 Vidurio Europos ra\u0161ytoj\u0173, vadinamas \u201egyvuoju klasiku\u201c. D\u0117l savo bekompromisio stiliaus \u017einomas autorius yra peln\u0119s daugyb\u0119 \u012fvairi\u0173 \u0161ali\u0173 literat\u016brini\u0173 apdovanojim\u0173, svarbiausi: Kossutho (Vengrijos nacionalin\u0117, 2004), tarptautin\u0117 Bukerio (Man Booker International Prize, 2015) premija. Pirmasis ir vienas \u017eymiausi\u0173 autoriaus roman\u0173 \u201e\u0160\u0117toni\u0161kas tango\u201c \u2013 tai \u012f devynias kalbas i\u0161verstas \u017emogaus vizij\u0173, svajoni\u0173 sudu\u017eimo romanas: dabartis nepalieka n\u0117 menkiausi\u0173 vil\u010di\u0173, o ateitis daugiau negu miglota. Vis\u0105 roman\u0105 persmelk\u0119s laukimas: \u017emon\u0117s ko nors laukia, bet nuolatos nesulaukia to, ko tik\u0117josi. Jame yra ir nenusakomo paslaptingumo, ir \u017emogaus, palikto vieno su nuo\u017emiu pasauliu. Nuo\u0161alioje gyvenviet\u0117je lieka trys \u0161eimos, trys senberniai, netolimame vienkiemyje liko na\u0161l\u0117 su keturiais vaikais (\u017emon\u0117s, taip ir nerad\u0119 gyvenime vietos \u2013 visi kiti jau i\u0161silakst\u0119) ir smuklininkas. Ruden\u012f \u017emon\u0117s tikisi atgauti u\u017edarb\u012f, randasi norin\u010di\u0173 tuos pinigus nusiglem\u017eti, ir tuomet pasklinda gandas: atkanka du gelb\u0117tojai. Smukl\u0117je, kur j\u0173 laukiama, makabri\u0161kas \u016b\u017eavimas. Tuo metu d\u0117l brolio psichologinio smurto nusinuodija psichikos negali\u0105 turinti na\u0161l\u0117s mergait\u0117. Gelb\u0117tojai (kovos su velt\u0117d\u017eiavimu spec. tarnybos darbuotojai, patys prigriebti u\u017e nieko neveikim\u0105) teigia, kad d\u0117l mergait\u0117s mirties kalti \u016b\u017eautojai, \u012ftikin\u0117ja tuos \u017emones palikti neperspektyvi\u0105 gyvenviet\u0119 ir prad\u0117ti visk\u0105 i\u0161 naujo. I\u0161vilioja i\u0161 j\u0173 pinigus, i\u0161veda i\u0161 nam\u0173, bet neturi kur nuvesti, ir \u017emon\u0117s pamato, kokia bevilti\u0161ka j\u0173 pad\u0117tis. Romane netr\u016bksta aliuzij\u0173 \u012f Biblij\u0105 ir pasaulio literat\u016br\u0105, tik \u010dia viskas apversta auk\u0161tyn kojomis: persona\u017eai Irimijas \u2013 prana\u0161o Eremijo parodija, o \u0160mitn\u0117 \u2013 pasi\u0161aipymas i\u0161 am\u017einojo moteri\u0161kumo ir t. t. Autoriaus sakiniai ilgi, keistai komplikuoti, su iracionalumo protr\u016bkiais, primena s\u0105mon\u0117s sraut\u0105. K\u016brinys susideda i\u0161 2 dali\u0173 po 6 skyrius \u2013 tai aliuzija \u012f tango \u0161okio \u017eingsnius. 1994 metais romano pagrindu sukurtas to paties pavadinimo kino filmas (re\u017esierius B\u00e9la Tarr). \u0160iame romane autorius, anot vengr\u0173 literat\u016bros kritikos, atskleid\u0117 visuotinio \u017elugimo vizij\u0105 pasitelk\u0119s tiksli\u0105 socialin\u0119 realyb\u0119 (smulkiausios itin ry\u0161kios detal\u0117s dera su Apokalipsei b\u016bdingomis vizijomis), suk\u016br\u0117 nauj\u0105 epikos form\u0105. Kritika \u012fvardijo roman\u0105 kaip epochos svarbos rei\u0161kin\u012f. Knyga prapl\u0117s kult\u016brinius pasaulio pa\u017einimo horizontus, supa\u017eindins skaitytojus su reik\u0161mingiausia Vengrijos gro\u017eine literat\u016bra bei t\u0119s pa\u017eint\u012f su autoriumi L\u00e1szl\u00f3 Krasznahorkai k\u016bryba, kurio romanas \u201ePrie\u0161inimosi melancholija\u201c \u012f lietuvi\u0173 kalb\u0105 buvo i\u0161verstas 2016 m. ir pateko \u012f vertingiausi\u0173 verstini\u0173 knyg\u0173 penketuk\u0105.<\/p>\n","protected":false},"featured_media":25391,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[9734],"product_tag":[],"class_list":{"0":"post-25384","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-romanai","7":"desktop-align-left","8":"tablet-align-left","9":"mobile-align-left","11":"first","12":"instock","13":"shipping-taxable","14":"purchasable","15":"product-type-simple"},"acf":[],"yoast_head":"\n\u0160\u0117toni\u0161kas tango<\/title>\n<meta name=\"description\" content=\"Bekompromisis stilius, paprasti gyvenimai, i\u0161kylantys iki archetip\u0173 lygmens, pasaulio literat\u016bros kontekstas, iracionalumo protr\u016bkiai. 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